Building Instruments for Auditory Exploration and Inclusive Workshops
Over the past year, I’ve been crafting an unconventional musical instrument—an expansive horizontal frame coupled with advanced electronic vibrating modules. This framework serves as a neutral surface, discreetly embedded with contact microphones that amplify its acoustic potential.
Central to this instrument’s charm are the vibrating modules themselves. When in contact with the frame and a variety of intervening objects, these modules emit a continuous, soothing drone, enriched with evolving nuances triggered by the subtlest movements.
Beyond their vibrational role, these modules offer a pathway to probe the acoustic properties of different materials. By introducing pieces of wood, plastic, iron, and more between the modules and the frame’s surface, I’ve ingeniously harnessed these materials as sound filters and modulators, opening doors to a world of sonic experimentation.
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Over the course of the last two years, my journey with Soundplay Projects in Glasgow has been both fulfilling and enlightening. Throughout this period, I’ve been involved in a range of activities, including nurturing creative initiatives, offering support to children with special needs through engaging experiences, and focusing on technical roles involving electronic and interactive components.
As I reflect on this meaningful experience, a strong desire has emerged within me—to contribute to the field in my own unique way. This motivation has led me to a new phase where I aim to develop the Frame-instrument further, particularly with the goal of making it well-suited for inclusive workshops.
Drawing from my hands-on experience conducting sensory sessions and workshops for a diverse audience, I’m excited to simplify and expand the methods of controlling the electronic modules within the instrument. I’m currently exploring the integration of light sensors (known as LDRs or Light Dependent Resistors), simple push buttons, and distance sensors to allow for more varied and accessible interactions. Additionally, I’m considering the incorporation of microphones to explore voice and noise control possibilities.
However, the evolution of the instrument isn’t only about its technical aspects. It encompasses the overall workshop experience as well. I envision the Frame-Instrument as a platform that brings together individuals of all abilities. For instance, the materials serving as sound filters could be manipulated by individuals without any special requirements, while the control of the electronic vibrating modules could be tailored to accommodate those with specific needs. This consideration is woven into the technical and creative phases, taking into account factors like height, durability, accessibility, flexibility, and the spirit of collaborative co-creation.
In this new endeavor, my aim is to steer the instrument’s development toward a destination where it not only produces captivating sounds but also acts as a bridge, connecting people and creating shared experiences that go beyond limitations.
Experiments
Inspirations
Boris Allenou 